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Sources list for THE DOCUMENTARY FILM AND NATIONAL IDENTITY

Brian Winston "The Documentary Film as Scientific Investigation" in Theorising Documentary pp 39-57. Edited by Michael Renov, Houndsmills: Macmillan Press, 1993.
Modes of Representation in Three Classic Documentaries

Almandla!: A Revolution in Four Part Harmony, prod. KWELA Productions, dir. Lee Hirsch, 120min, HBO/Cinemax Documentary Films, 2003, CD.
Apartheid and the History of South Africa

U.S. Department of Justice. "What is Identity Theft?" Identity Theft and Identity Fraud. Washington, D.C.: U.S. Government Printing Office, June 2000.
Identity Theft

Davis, Darrell W. Picturing Japaneseness: Monumental Style, National Identity, Japanese Film. New York: Columbia University Press, 1996.
Japan's Film Industry

Dirks, Tim. "Film Noir." Film Noir Films Web site Journal (1998): 6 pages. 7 March 2005 <[1]http://www.filmsite.org/filmnoir.html.>.
Film Noir: 1941-1953

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THE DOCUMENTARY FILM AND NATIONAL IDENTITY essays

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Olympic Games Documentary Films
This paper contrasts the 1936 Olympic Games documentary film by Leni Riefenstahl and the 1964 Olympic Games documentary film by Ton Ichikawa. -- 1,375 words;
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Documentary Films
Discusses documentary films by analyzing the film "Capturing the Friedmans". -- 1,800 words; 5 sources; APA
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Truth and the Documentary Film
This paper discusses the subject of truth and the documentary film, making use of the beliefs of film director Errol Morris. -- 2,250 words; 2 sources;
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Styles of Documentary Films
This paper defines styles of documentary films as exemplified by Robert Flaherty's "Nanook of the North", Albert and David Maysles' "Grey Gardens", Errol Morris' "The Thin Blue Line" and Kidlat Tahimik's "Perfumed Nightmare" ("Mababangong Bangungot"). -- 855 words;
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Documentary Film: "The Corporation"
This paper analyzes the Canadian documentary film "The Corporation", based on the book by Joel Bakan. -- 1,800 words; 2 sources;
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