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'Bicycle Thief' and 'Un Chien Andalou'
A review of Vittorio De Sica's 'The Bicycle Thief' and Luis Bunuel and Salvador Dali's 'Un Chien Andalou' as two examples of avant-garde cinema. — 1,798 words; 4 sources; MLA
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"The Bicycle Thief"
A textual analysis of this 1948 film on post-WWII Italy, directed by de Sica. — 1,150 words; 5 sources;
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Preliminary Paper: "The Horse Thief" & Tian Zhuang Zhuang
Short paper with ample bibliography in preparation for a longer work on Tian Zhuang Zhuang's "The Horse Thief" as depicts Tibetan nomads of the 1980s. As a contribution to 5th Generation film, The Horse Thief provides an ethnography of what the ... — 1,250 words; 2 sources; MLA
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"The Orchid Thief"
A review of the nonfiction book by Susan Orlean, "The Orchid Thief". — 1,036 words; 1 sources; MLA
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"Cinema Paradiso"
A review of the film 1988 "Cinema Paradiso" by Giuseppe Tornatore. — 2,126 words; 1 sources; MLA
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Sources list for NEOREALISM IN THE BICYCLE THIEF
  
 
De Sica, Victor. The Bicycle Thief. Corinth Video, 1972.
DeSica’s "The Bicycle Thief"

"Neorealism (Collected Views)" Neorealism. Retrieved March 27, 2005, from: http://www.utm.utoronto.ca/~jcampana/342/overview.html.
"The Garden of the Finzi Continis"

Bondanella, Peter. 1983, Italian Cinema from Neorealism to the Present, New York, Frederick Ungar Publishing.
New Wave Filmmakers

"Italian Neorealism." Notes10. Retrieved March 27, 2005, from: http://www.gpc.edu/~jriggs/film1301/notes10.htm.
"The Garden of the Finzi Continis"

Bazin, Andre. What is Cinema? Volume II. Berkeley and Los Angeles: University of California Press, 1971.
DeSica’s "The Bicycle Thief"