Taylor & Francis. Ludlow, P. (1996). High Noon on the Electronic Frontier: conceptual issues in cyberspace. p.318. Cambridge, Mass.: MIT Press.
Gender Bias in Computer and Video Games
Schatz, Thomas. *Film Genre and the Genre Film.* Film Theory and Criticism. Ed. Braudy, Leo, Marshall Cohen. Oxford University, 1999.
Can the Horror Genre and Scopophilia Co-Exist?
Thomas Sobchack, "Genre Film: A Classical Experience" in Film Genre Reader2 , pp 19 - 32. Edited by Keith Grant. Austin: University of Texas Press, 1995.
The Art Film and the Genre Film
Andrew Tudor, "Genre" in Film Genre: Theory and criticism , pp 3 - 10. Edited by Barry Keith Grant, Texas: University of Texas Press, 1995.
The Art Film and the Genre Film
Robin Wood, "Ideology, Genre, Auteur" in Film Theory and Criticism, 4th ed., pp 475 - 484. Edited by Gerald Mast, Marshall Cohen & Leo Braudy, New York: Oxford University Press, 1992.
The Art Film and the Genre Film
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Zinnemann's "High Noon"This paper look at the film genre of the Western and more specifically at the film "High Noon", directed by Fred Zinnemann. -- 964 words; 1 sources; MLA www.termpapers2000.comMythical Opposition in Western FilmAn analysis of John Belton's theories of the western movie genre, focusing on mythical opposition of nature and characters in the movie "Shane". -- 1,615 words; 2 sources; MLA www.termpapers2000.comWestern FilmsThe purpose of this paper is to introduce and discuss the two Western films, "Shane," made in 1953 and directed by George Stevens, and "Unforgiven," made in 1992 and directed by Clint Eastwood. -- 1,295 words; 4 sources; MLA www.termpapers2000.com"Rear Window" and "High Noon"Compares the filming techniques of these two films. -- 1,385 words; 6 sources; MLA www.termpapers2000.comRevisionist Western FilmsThis paper reviews the treatment of the American Indian, or Native American, in revisionist Western films: Kevin Costner's “Dances with Wolves” (1990) and Michael Apted’s “Thunderheart” (1992). -- 1,090 words; 4 sources; MLA www.termpapers2000.com |
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