Helen Stoddart, "Auteurism and Film Authorship Theory" in Approaches to Popular Film, pp 35 - 42. Edited by Jane Hollows & Mark Jancovinch. New York: Manchester University Press, 1995.
The Art Film and the Genre Film
Fellini, Federico. 8 *: Federico Fellini, Director. Ed. Charles Affron. New Brunswick: Rutgers University Press, 1987.
Dreams and Western Philosophy
Price, Barbara and Theodore Price: "Federico Fellini" The Scarecrow Press, 1978, p. 182
Hitchcock, Fellini and Godard
Bonandella, Peter (ed.) "Federico Fellini: Essays in Criticism", Oxford University Press, 1978, p. 3
Hitchcock, Fellini and Godard
Peter Wollen, "The Auteur Theory" in Film Theory and Criticism, 4th ed., pp 589 - 605. Edited by Gerald Mast, Marshall Cohen & Leo Braudy. New York: Oxford University Press, 1992.
The Art Film and the Genre Film
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Hitchcock, Fellini and GodardShows why Alfred Hitchcock, Jean-Luc Godard, and Federico Fellini should be considered true 'auteurs'. -- 3,136 words; 10 sources; MLA www.termpapers2000.comFellini's "8 +"A look at how the self-referential structure of Fellini's "8 +" defines the film as an auteurist production. -- 1,400 words; 7 sources; www.termpapers2000.comBruce McDonald and AuteurismDiscusses Canadian film director, Bruce McDonald in relation to Andrew Sarris’ 'Auteur Theory'. -- 2,289 words; 11 sources; APA www.termpapers2000.comAuteur CinemaExamines Antonioni's films, "L'avventura" and "Blow-Up", and Fellini's film, "Otto e Mezzo", as works of self-reflexive "auteur cinema". -- 1,900 words; 8 sources; www.termpapers2000.comA Question of Auteurism: Cinematic Productions and Critical ResponsesA discussion of the auterism of three films, Kenneth Branagh's "Henry V", Federico Fellini's "La Strada" and Fritz Lang's "Metropolis". -- 1,025 words; 12 sources; www.termpapers2000.com |
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