of the phallic object of violence. In conclusion, the reader can see the differences, explicit, implicit, and semantic, in a Freudian interpretation of Romeo and Juliet (M.D. Faber's) and an Feminist interpretation of the same text (Coppelia Kahn's). The
“Romeo and Julietâ€
Shelley, Mary. Frankenstein. E-text available at Online Literature. 2005/ http://www.online-literature.com/shelley_mary/frankenstein/
Mary Shelly's "Frankenstein" and Voltaire's "Candide"
Percy Bysshe Shelley, Posthumous Poems, ed. Mary Shelley (1824). Cf. Posthumous Poems of Shelley. Mary Shelley's Fair Copy Book, Bodleian MS. Shelley Adds. d. 9, Collated with the Holographs and the Printed Texts, ed. Irving Massey (Montreal: McGill-Queen
"Stanzas Written in Dejection"
Dean Franco, "Mirror Images and Otherness in Mary Shelley's Frankenstein," literature and psychology 1998, 44: 1-2, 80 (16), Indiana University Purdue University Indianapolis, <http://www.ulib.iupui.edu/frankenstein/Franco.doc>
Mary Shelly's "Frankenstein"
Frankenstein Movie. Mary Shelley's Frankenstein. 1994
Film: "Frankenstein" (1931)
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