Auteurism Federico Fellini essays

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A Question of Auteurism: Cinematic Productions and Critical Responses
A discussion of the auterism of three films, Kenneth Branagh's "Henry V", Federico Fellini's "La Strada" and Fritz Lang's "Metropolis". — 1,025 words; 12 sources;
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Hitchcock, Fellini and Godard
Shows why Alfred Hitchcock, Jean-Luc Godard, and Federico Fellini should be considered true 'auteurs'. — 3,136 words; 10 sources; MLA
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Fellini's "8 +"
A look at how the self-referential structure of Fellini's "8 +" defines the film as an auteurist production. — 1,400 words; 7 sources;
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Auteur Cinema
Examines Antonioni's films, "L'avventura" and "Blow-Up", and Fellini's film, "Otto e Mezzo", as works of self-reflexive "auteur cinema". — 1,900 words; 8 sources;
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	3	Sources list for AUTEURISM FEDERICO FELLINI
	*Fellini, Federico. 8 : Federico Fellini, Director. Ed. Charles Affron. New Brunswick: Rutgers University Press, 1987. Dreams and Western Philosophy Price, Barbara and Theodore Price: "Federico Fellini" The Scarecrow Press, 1978, p. 182 Hitchcock, Fellini and Godard Bonandella, Peter (ed.) "Federico Fellini: Essays in Criticism", Oxford University Press, 1978, p. 3 Hitchcock, Fellini and Godard Helen Stoddart, "Auteurism and Film Authorship Theory" in Approaches to Popular Film, pp 35 - 42. Edited by Jane Hollows & Mark Jancovinch. New York: Manchester University Press, 1995. The Art Film and the Genre Film Peter Wollen, "The Auteur Theory" in Film Theory and Criticism, 4th ed., pp 589 - 605. Edited by Gerald Mast, Marshall Cohen & Leo Braudy. New York: Oxford University Press, 1992.** The Art Film and the Genre Film