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Papers Available for Alice Walkers Everyday Use Literary Devices |
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The Role of Heritage in Alice Walkers' "Everyday Use"An interpretation of a Alice Walker's short story "Everyday Use" as a study of African-American ideas of heritage. — 1,478 words; 6 sources; MLA Click to view this paper! >>The Uniqueness of the Women in Alice Walker’s “Everyday Use”"In Alice Walker's short story, "Everyday Use," the author uses three main characters to discuss culture, family, and life using each of their unique outlooks on life. These characters include, the mother, who is also the first person narrator, and ... — 1,000 words; MLA Click to view this paper! >>"Everyday Use"Discusses Alice Walker's short story about the meaning and value of African American cultural traditions. — 650 words; 1 sources; Click to view this paper! >>Summary of Alice Walker's "Meridian"The paper focuses on Meridian's role within the civil rights movement in Alice Walker's "Meridian". — 900 words; Click to view this paper! >>Alice Walker's "Everyday Use"A literary analysis of "Everyday Use" by Alice Walker. — 2,150 words; 9 sources; Click to view this paper! >> |
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Sources list for ALICE WALKERS EVERYDAY USE LITERARY DEVICES |
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Colton, Catherine A., and Alice Walker. "Chapter 4 Alice Walker's Womanist Magic: The Conjure Woman as Rhetor." Critical Essays on Alice Walker. Ed. Dieke, Ikenna. Westport, CT: Greenwood Press, 1999. 33-43.
Mythology in "Her Sweet Jerome"
Farrell, Susan. "Fight vs. Flight: A Re-Evaluation of Dee in Alice Walker's "Everyday Use"." Studies in Short Fiction 35 (1998): 179-86
Alice Walker's "Everyday Use"
Harris, T. "Folklore in the Fiction of Alice Walker: A Perpetuation of Historical and Literary Traditions." Black American Literature Forum, 11, 1 (1977) 3-8.
Folklore in African-American Literature
Cowart, David. "Heritage and Deracination in Walker's "Everyday Use"." Studies in Short Fiction 33 (1996): 171-84
Alice Walker's "Everyday Use"
Bloom, Harold ed. Modern Critical Interpretations: Alice Walkers The Color Purple. Philadelphia: Chelsea, 2000.
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